![]() ![]() Here, all the team was afraid to ruin an amazing idea. Spacecraft, monsters, blowing up cars… all that’s cool but it’s kind of straightforward. Notable examples of object-POV-shot title sequences include 1988’s The Naked Gun, featuring a wailing police siren on the loose, and 1993’s So I Married An Axe Murderer, featuring a giant cup of coffee weaving through a café. Object-oriented POV shots are rare in film, and rarer still in title design. The lone bullet is a constant presence, providing the potential for change early on as well as the power behind the climactic scene between Yuri and his brother Vitali. Yuri also wears a bullet around his neck, a constant reminder and talisman of power. ![]() ![]() ![]() Just as Forrest Gump is the feather, floating on the breeze and falling haphazardly into his fate, Yuri is the bullet, single-minded and on a deadly and inevitable course. The bullet in the title sequence is our entry point to the film but it’s also a symbolic representation of main character Yuri Orlov. ![]()
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